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Great Odes to the Open Road

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Oh, but the tug of the open road is contagious. We’re draw to the uncertainty, the adventure and the promise of new experiences. Any number of artists and ordinary souls have been inspired to share this excitement. These are some of my favorite examples.

ON THE ROAD

For many, Jack Kerouac’s classic story of wondering and wandering is the last word on road trips. It’s a marvel of stream-of-consciousness writing. “On the Road” perfectly conveys the intoxicating, surreal, gritty, dangerous sexiness of hitting the open road.

ON THE ROAD AGAIN

I can’t tell you how many times I’ve started a road trip and found myself warbling Willie Nelson’s “On the Road Again.” It has such a pleasing lilt and sense of movement. Road trips may be grueling sometimes, but they usually start off happy.

MIDNIGHT RUN

Here’s an action movie comedy, featuring odd couple Robert DeNiro and Charles Grodin. DeNiro is a bounty hunter bringing in a mob accountant, played by Grodin, who has skipped bail. Like many great tales of the road, it’s a journey of transformation – in this case, with guns, punches and comedic slow burns.

TRAVELS WITH CHARLEY

Toward the end of his life, the great John Steinbeck directed his magnificent reporting skills and humanity to a cross-country road trip. He and his dog, Charley, traveled the highways and byways in an RV. Through brief interactions and keen observations, he painted an insightful picture of postwar America. Some critics have questioned his journalistic accuracy, but the power of his writing is unassailable.

ROADFOOD

In a way, road trips are just an excuse to search for the best slice of banana cream pie or the best plate of cheese fries. Jane and Michael Stern dug deep into the heart and soul of America’s glorious greasy spoons and dreamy diners for this gem. On a personal note, I found the best banana cream pie, ever, while traveling a mountain road in Montana.

TRAIL JOURNALS

For more than a decade, Trail Journals (www.trailjournals.com) has provided a digital home for hundreds of thousands of photographs and pieces of writing by long distance hikers around the country. The Appalachian Trail is prominent here, but there are many other trails represented, as well. The best trail journals are utterly engrossing. They tell stories of beautiful vistas, animal encounters, physical hardship, budding friendships and deep, solitary thought – all unfolding day by day.

THE FUGITIVE

I loved everything about this old TV show from the 1960s. The variety of locales, the gritty narration by William Conrad, the central storyline of a guy on the lam from the law for a murder he didn’t commit. Mostly, I loved David Janssen’s low-key, understated hero. After four seasons, “The Fugitive” ended with one of the most satisfying finales in TV history.

IT HAPPENED ONE NIGHT

Hundreds of films since 1934 have attempted to recapture the chemistry and romance of Clark Gable and Claudette Colbert in “It Happened One Night.” It’s a silly story about an heiress and a newshound making their way across the country during the Great Depression, but it’s sheer bliss. Witty banter, funny supporting characters and a classic hitchhiking scene. For a different sort of road story from the Depression, there’s …

THE GRAPES OF WRATH

We return to Steinbeck for one of the great American novels. “The Grapes of Wrath” follows a family searching for work and dignity as they flee from the Oklahoma Dust Bowl. Instead, they encounter greed, poverty and indignity. It’s a harrowing journey, one that strips individuals down to their core beliefs and little else. I’ll never forget reading this book for the first time and thinking about the pure poetry of a human being deciding who and what he is.

Now let’s go a bit beyond the reach of the American road.

THE AMAZING RACE

This show actually IS amazing. You want to test a marriage/friendship/relationship? Send people halfway around the world in the middle of the night and ask them to go from the airport to some out-of-the-way local landmark as fast as they can without killing each other. It exposes every hidden grudge and emotional sore spot before the first commercial break. Want to have your mind blown? Imagine your parents as contestants.

THE WIZARD OF OZ

Best. Road. Ever.

DANCING MATT

Matt Harding, also known as “Dancing Matt,” has recorded a series of videos of himself doing a crazy, happy dance in dozens of countries around the world. Millions of people have watched these videos and been charmed by the simple joy of a goofy, global dance. That’s what I call a great road trip.

So tell me, what are your favorite road trips from pop culture?

Great Breakup Scenes

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Breaking up is never hard to do in Hollywood. Movies and TV shows are full of characters going through breakups of all sorts. Here are some examples we here at The Jimbo List find particularly memorable.

LOUIE (2012)

Full disclosure: this scene from Louis C.K.’s brilliant TV show is the inspiration for today’s List. Like everything else in the series, it’s original and realistically off-kilter. Louie and his not-really-a-girlfriend April break up almost by osmosis. She has to do all the talking, putting into words all the complicated feelings Louie has but can’t say. This guy is a genius.

ANNIE HALL (1977)

Let’s proceed to another New York City genius, Woody Allen. His films are brimming with breakups, plus a line about them that will live on forever in film history. In “Annie Hall,” he says that a relationship is like a shark. It has to keep moving forward in order to survive. “I think what we got on our hands is a dead shark,” he tells Diane Keaton.

FORGETTING SARAH MARSHALL (2008)

I’m not certain about this, but I’m guessing Jason Segel is the first guy to do a movie breakup scene with full-frontal male nudity. Daring, but also smart. His character, who is getting dumped by Kristen Bell, is naked in every way.

WAITING TO EXHALE (1995)

Angela Bassett shows us the only thing you can do in a movie when your husband leaves you for another woman: you blow up his car. That way, there’s no ambiguity about the breakup.

THE BEST YEARS OF OUR LIVES (1946)

This Oscar winner for Best Picture is a perfect example of the kind of stoic, do-what-you-have-to-do spirit that was such a part of American life – even in breakups. Dana Andrews is a returning World War II veteran with a menial job and a cheating wife. Then he meets Teresa Wright, the daughter of another veteran. They fall in love, but the father tells Andrews to do the right thing and leave his daughter alone. And that’s what he does, in a terse, no-whining breakup scene.

SEINFELD (1993)

“Seinfeld” featured many great breakups during its run, but my fave is when Gwen dumps poor George with the line, “It’s not you, it’s me.” This infuriates George, not because he got dumped, but because he insists he “invented” the it’s-not-you-it’s-me strategy.

THE FOOT FIST WAY (2006)

Not many people have seen “The Foot Fist Way.” It’s a weird, weird film, but features a fearless performance by the hilarious Danny McBride. He’s a martial arts instructor with a whole mess of problems. In one scene, his unfaithful wife asks him to take her back. He responds by urinating on his wedding ring.

KRAMER VS. KRAMER (1979)

Is it any surprise that Dustin Hoffman and Meryl Streep have one of the most painful, incredible breakup scenes of all time? Every one of their scenes together in “Kramer vs. Kramer” is amazing. Here, Streep’s nerves, determination and fear are all right on the surface, as are Hoffman’s initial arrogance, denial and frustration.

THE SOCIAL NETWORK (2010)

Aptly, this movie’s take on the oddly anti-social underpinnings of Facebook begins with an Aaron Sorkin verbal assault of a breakup. Rooney Mara and Jesse Eisenberg are terrific handling Sorkin’s intricate dialogue. It’s like watching a prizefight.

NETWORK (1976)

Let’s not forget the other “Network,” while we’re at it. William Holden is a network news exec who leaves his wife for Faye Dunaway, a ruthless network programming exec. When he gets fed up with Dunaway, he tells her she’s “television incarnate, indifferent to suffering, insensitive to joy.” That sort of line was devastating in the ’70s.

500 DAYS OF SUMMER (2009)

It was fun while it lasted, but eventually Zooey Deschanel has to lower the boom on Joseph Gordon-Levitt. She does it by invoking doomed punk rock couple Sid and Nancy. Gordon-Levitt is stunned to learn that he’s Nancy. Yikes.

SLEEPLESS IN SEATTLE (1993)

Meg Ryan was the queen of the amicable movie breakup, wasn’t she? Here, and in “You’ve Got Mail,” she calmly, earnestly sits the guy down and explains that the organization has decided to make a change. Bill Pullman is the target in “Sleepless,” and he reacts with a sad dignity. But hey – she’s got to get to the Empire State Building, pronto.

CLOSER (2004)

“Closer” is like a sampler of breakup scenes. The whole cast – Natalie Portman, Jude Law, Julia Roberts and Clive Owen – gets at least one good breakup to chew on during the proceedings. Director Mike Nichols has covered some of this bitter relationship territory before, in classics such as “Carnal Knowledge” and “Who’s Afraid of Virginia Woolf?” This one isn’t quite in the same league with those.

MANHATTAN (1979)

To me, the scene where Woody Allen ends his relationship with young Mariel Hemingway is utterly heartbreaking. It’s a decidedly creepy relationship to begin with, of course. But Hemingway’s tears, and her quiet pain, are deeply moving.

GONE WITH THE WIND (1939)

Best breakup scene. Best breakup line. It comes at the end of a long, eventful story, but it’s worth the wait. People have been quoting it, and Clark Gable’s delivery of it, for more than 70 years.

I know there are plenty of other good examples out there. Which ones are your favorites?