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7 Movies with Obsessed NFL Fans

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Here we are at the first Sunday of the NFL season, and the excitement is running pretty high. It’s a beautiful thing. As we await the festivities, take a look at these films featuring characters who take their pro football VERY seriously.

DINER (1982)

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Great, great movie with an amazing cast, including Mickey Rourke, Kevin Bacon, Daniel Stern, Tim Daly, Ellen Barkin and Paul Reiser. It’s set in Baltimore, where one of the characters, Eddie (played by Steve Guttenberg) makes his girlfriend take a written quiz on the Baltimore Colts before he’ll marry her! I love how seriously everyone takes it, even though they understand on some level that it’s nuts.

BIG FAN (2009)

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Patton Oswalt dives into the crazy end of the pool as “Paul from Staten Island,” who loves his New York Giants and makes frequent calls to a sports radio station. Things do not go well for Paul when he encounters his favorite player making a drug deal. The movie doesn’t flinch in dealing with obsession and delusional behavior – but it also gets the intensity of sports fandom right.

SILVER LININGS PLAYBOOK (2012)

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For me, the Solatano clan in “Silver Linings Playbook” is the gold standard for NFL fans in movies. These folks live and die with their beloved Philadelphia Eagles. Robert DeNiro’s dad character is essentially a walking set of Sunday superstitions, which any NFL fan completely understands. One of my favorite scenes in this movie involves Jennifer Lawrence setting DeNiro straight on both his Eagles knowledge and the nature of jinxes. Crabby snacks and homemades for everyone!

JERRY MAGUIRE (1996)

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One of the underrated things about this much-quoted movie is Regina King’s performance as the wife of an NFL player (Cuba Gooding, Jr.). She follows every play as if her husband’s life depended on it, which it does.

PAPER LION (1968)

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Alan Alda (that’s right) plays a writer for Sports Illustrated who attempts to understand the game from a new perspective by posing as a quarterback for the Detroit Lions. What’s truly wild about this is that it’s based on the true story of George Plimpton’s famous book, also called “Paper Lion.” Real NFL player Alex Karras, who later became a successful actor, plays himself here.

BUFFALO 66 (1998)

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This one is most definitely not for everybody. Vincent Gallo’s gritty film is about a guy who gets out of prison, kidnaps a woman and forces her to pretend to be his wife during a visit to see his parents. How does the NFL factor into it? Well, Gallo’s horrifying parents (Angelica Huston and Ben Gazzara) are huge Buffalo Bills fans. They even named their son Billy, after the team, and have a picture of O.J. Simpson among the family photos. As if that weren’t enough, the plot involves Billy’s desire for revenge against a Bills kicker who missed a crucial field goal in the playoffs.

A CHRISTMAS STORY (1983)

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A personal favorite, because it accurately reveals the love-hate relationship you can have with your team. Darren McGavin plays a rough-around-the-edges Dad in northern Indiana in about 1940, dealing with the usual car problems, home repairs and odd neighbors. There’s a classic scene where the mom character knows exactly how to break up some possible tension at the family dinner table: mention that the Chicago Bears are playing the Green Bay Packers on Sunday. It immediately sends McGavin into a sarcastic meditation on his “Monsters of the Midway.”

That’s all for now, sports fans. Are you ready for some football?

 

Great TV Dads and Movie Dads You Might Have Overlooked

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Something great resonates when you encounter a compelling¬† father character on TV or in movies. It firms up one’s faith in humanity. But with so many movie and TV dads floating in and out of view, it’s easy to overlook some good ones. In honor of Father’s Day weekend, we look back at a few.

DONALD SUTHERLAND

“PRIDE AND PREJUDICE” (2005)

Here’s a fine, fine actor playing a small role with tenderness and care. As the henpecked, mellow patriarch of the Bennet family in Jane Austen’s classic story, Sutherland lets his misty eyes, his sly smile and his lanky limbs work to their full advantage onscreen. Then, at the end of the film, he reveals his complete and utter love for his daughter through a quiet intensity that lingers nicely.

BERNIE MAC

“THE BERNIE MAC SHOW” (2001-06)

There was nothing quiet about the late, great Bernie Mac. Like few other actors, he projected a powerful, coiled up aggressiveness while also allowing his compassion to poke through. On his show, he played a man who takes in his sister’s children, raising them as his own. He often talked directly to “America,” looking straight at the camera, and it worked. You trusted him. You liked him.

DUSTIN HOFFMAN

“KRAMER VS. KRAMER” (1979)

Times and gender roles have changed so much that people forget what an eye-opener “Kramer vs. Kramer” was, with its depiction of a divorce and subsequent child custody fight. Hoffman is his usual, superb self as the father who learns how to be a parent.

CHUCK CONNORS

“THE RIFLEMAN” (1958-63)

Although the show was far from realistic, the father-son relationship at the heart of “The Rifleman” seemed authentically affectionate. Connors played Lucas McCain as a figure of towering strength and real kindness. Plus, he had the coolest rifle ever.

J.K. SIMMONS

“JUNO” (2007)

Simmons is a true craftsman. In “Juno,” he’s a father who helps his teen daughter through an unplanned pregnancy, and he does it with keen humor and gentle exasperation. Good in any type of role, here Simmons offers a physical weariness as counterpoint to the movie’s spry, stylized dialogue.

RONNY COX

“APPLE’S WAY” (1974-75)

This is a prime example of the father as idealist, from a TV show that never quite caught on with viewers. Cox was George Apple, a lawyer who moved his clan from California back to his hometown of Appleton, Iowa. Once there, he inserted himself into just about every free speech and human rights issue his little town encountered. His kids loved this, as you can imagine.

DELROY LINDO

“CROOKLYN” (1994)

Set in Brooklyn in the 1970s, “Crooklyn” featured Lindo as a musician who didn’t quite earn enough money to support his family, but whose sweet nature helped buoy the family during hard times. Lindo expertly shows us the full range of his guy’s flaws and qualities.

ROBERT DeNIRO

“A BRONX TALE” (1993)

DeNiro directed himself as a straight-arrow bus driver in the 1960s, trying mightily to keep his son from falling under the spell of a charismatic gangster. Playing against type, DeNiro gives a tightly controlled performance: tough, but not too tough; good, but not too good. It’s a gem.

MARTIN LANDAU

“EDtv” (1999)

To be sure, Landau’s loopy stepfather is the comic relief in this film. His character is in poor health and often clueless about what’s happening around him. But he gets a dynamite scene near the end of the movie that is gratifying as a nod to the true meaning of fatherhood.

NOAH BEERY JR.

“THE ROCKFORD FILES” (1974-80)

Any “Rockford Files” fan will have a soft spot for Rocky. Beery played him perfectly – no affectation, no ego. His scenes with James Garner had an easy charm and warmth.

MICHAEL TUCKER

“RADIO DAYS” (1987)

There’s a wonderful joke about dads in Woody Allen’s “Radio Days.” Seth Green, who plays Allen as a kid, has no idea what his father, Michael Tucker, actually does for a living. No matter how hard the kid tries to ferret out the information, dad finds a way to change the subject. It’s hilarious, partly because it plays on the mysterious, unknowable quality many fathers have.

ADAM SANDLER

“SPANGLISH” (2004)

I may not be the biggest Adam Sandler fan in the world, but I have to give him his due here. He’s excellent as a doting father in an unhappy marriage. His scenes with Sarah Steele as his teen daughter are beautiful and at times heartbreaking.

HECTOR ELIZONDO

“THE FLAMINGO KID” (1984)

Elizondo is the emotional core of this Matt Dillon comedy about a young man faced with a choice between corrupt wealth and the middle class work ethic, as represented by his family. I love how Elizondo communicates his frustration and hurt feelings without upsetting the comedic balance.

JUDD HIRSCH

“NUMB3RS” (2005-10)

No one matches Hirsch when it comes to the older, intellectually nurturing father character. Here, he invests Alan Eppes with a genuine pride and respect for his adult sons, along with his love and concern.

DAVID MORSE

“CONTACT” (1997)

In the sci-fi adventure “Contact,” Morse gets to play two versions of a father. One is the wise, gentle teacher. The other is the loving, lasting image a father leaves behind.

GENE HACKMAN

“THE ROYAL TENENBAUMS” (2001)

I think this is one of Hackman’s best roles. His character, Royal Tenenbaum, is sneaky, self-absorbed and unhelpful. Yet he’s also an undeniably cool old rascal. The question this film poses for him is whether it’s ever too late to stop being a jerk and start acting like a father.

Now let’s hear your suggestions. Add to The List!

5 New/Old Movie Double Features

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Sometimes when you watch a movie, you get a sudden, happy flashback to another film you enjoyed years ago. It might have a similar theme, locale or situation – but it makes you want to see that old film again for comparison’s sake. Here are five such double features that have come to mind recently.

FRIENDS WITH KIDS (2012)

AND…

WHEN HARRY MET SALLY (1989)

They’re both smart, they’re both funny and they’re both romantic comedies about best friends who become more intimate. I greatly enjoyed Jennifer Westfeldt’s “Friends With Kids,” which features a winning cast that includes Adam Scott and Maya Rudolph. My one problem was its unbelievably clunky ending. It seemed to grasp at elements from several earlier films – including “When Harry Met Sally.” That’s a movie I liked a lot, as well. Its ending was schmaltzy, but it worked. And it had classic performances by Billy Crystal and Meg Ryan. But something it didn’t do was bring children or grandparents into the mix; Harry and Sally existed in this sort of unrealistic bubble.

SALMON FISHING IN THE YEMEN (2012)

AND…

LOCAL HERO (1983)

Here are two quirky, wonderful films. “Salmon Fishing” is about a crazy plan to bring salmon fishing to a desert; “Local Hero” is about an oil company attempting to purchase a town in Scotland for a refinery. Different as those stories are, they share a common sensibility. They feature isolated main characters (Ewan McGregor and Peter Riegert) who find something magical and invigorating during a business trip to another country. They also encounter charismatic authority figures (Amr Waked and the great Burt Lancaster) and a host of oddball supporting characters.

WANDERLUST (2012)

AND…

LOST IN AMERICA (1985)

Times and technology may change, but young married couples will always need to negotiate their personal version of the American dream. Albert Brooks explored this theme with hilarious results in “Lost in America,” one of the funniest films ever made. He turns the words “nest egg” into something sublime and his scenes as a school crossing guard are brilliant. “Wanderlust” offers smart performances by Paul Rudd and Jennifer Aniston in their own journey of discovery, via a hippy-dippy commune. It’s not on a level with “Lost in America,” but it has very witty moments and a solid supporting cast.

SAFE HOUSE (2012)

AND…

MIDNIGHT RUN (1988)

Bear with me on this one. You’ve got two branches of the action movie genre here, but they both feature one guy tasked with bringing another guy to justice. That other guy, meanwhile, is trying to get into the hero’s head and find a way to escape. A road trip and lots of bonding ensues. In “Safe House,” Denzel Washington is a tough, rogue spy being escorted to authorities by young spy Ryan Reynolds. Washington is rakishly sly and intimidating, and the film boasts all the quick-cut, hand-to-hand combat scenes that today’s audiences crave. Yet its greatest strength is the easy chemistry between Washington and Reynolds. The same is true for action-comedy-buddy movie “Midnight Run.” Robert DeNiro is a bounty hunter taking embezzler Charles Grodin to Los Angeles. Grodin masterfully nags, jokes and irritates tough guy DeNiro into submission. Again, chemistry is the key.

THE HUNGER GAMES (2012)

AND…

BATTLE ROYALE (2000)

Full disclosure: This one is based on sage observations by friends of The Jimbo List. “The Hunger Games” and “Battle Royale” are both about dystopian futures in which teens are forced into deadly battle with each other by authoritarian governments. The difference is cultural. “The Hunger Games” takes place in a version of North America, while “Battle Royale” is set in Japan.

So that’s five. Now let’s hear your suggestions for new/old double features!